Robert Rossen – The Hustler (1961)
Cast: Paul Newman, Piper Laurie, Jackie Gleason…
“Fast” Eddie Felson is a fantastic pool-player who has only ever-experienced the small-time hustling world. However, his arrogance soon plunges him deep into the high-stake league, when he blindly challenges the world champion “Minnesota Fats”…
As The Hustler’s “Fast” Eddie Felson, Paul Newman created a classic antihero, charismatic but fundamentally flawed, and nobody’s role model. A pool player from Oakland, CA, as good as anyone who ever picked up a cue, Eddie has an Achilles’ heel: arrogance. It’s not enough for him to win: he must force his opponent to acknowledge his superiority. The movie follows Eddie from his match against billiards champ Minnesota Fats (Jackie Gleason) as he falls in love with Sarah (Piper Laurie), an alcoholic would-be writer and sometime prostitute, and falls under the spell of Bert Gordon (George C. Scott), a successful gambler who offers to take Eddie under his wing and teach him how to play in the big time. However, when Sarah joins Eddie and Bert on a trip to Louisville for a high-stakes match with a dandy named Findlay (Murray Hamilton), the consequences prove tragic. Along with a classic performance by Newman, The Hustler also features turns by Scott, Laurie, and Gleason, in a rare dramatic role. Cameos from pool champ Willie Mosconi and boxer Jake LaMotta add to the atmosphere of Harry Horner’s grubby production design and Eugen Schüfftan’s camerawork. Director Robert Rossen, who had been working in films since 1937, was to direct only one more film, Lilith (1964), before his death in 1966. In 1986, Newman returned to the role of “Fast” Eddie in Martin Scorsese’s The Color of Money, for which he finally earned an Academy Award as Best Actor. by Mark Deming (allmovie.com)
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Un giovanotto ambizioso vuole essere il migliore al biliardo, ma c’è un prezzo da pagare.
Eddie è un giocatore di biliardo giovane e ambizioso. Riesce a sfidare il grande Minnesota Fats, ma perde. È necessario un lungo e poco onorevole tirocinio nel giro delle scommesse prima di poter rinnovare la sfida. Questa scelta però lo porta a trascurare i sentimenti di Sara. Dopo avere finalmente battuto “il migliore”, Eddie prende coscienza di quanto sia caduto in basso per raggiungere il suo scopo.
Rossen ci mette tutta la sua abilità nella descrizione dell’ambiente, fumoso e teso, delle sale da biliardo, con la complicità della fotografia di Eugen Schüfftan: uno straordinario cinemascope in bianco e nero, premiato con l’Oscar. (film.tv.it)
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